What the MDR team and Lumon’s overall goal are doing in the Apple TV+ world to cut not clear. What is clear is the annoyance fans feel when watching a workplace thriller.
to cut It follows a team of employees in a twisted story about an ordinary corporate job, giving it a familiarity with anyone who has ever worked in an office. However, there is something unique about the Office of Total Data Improvement. Find out how to cut The creators have achieved the prison-like environment that fans see in the series.
“Severance” is a workplace thriller about the fictional company Lumon
to cut It explores the lives of Lumon’s “separated employees” whose memories are divided into “internal” and “external” personalities, separating their work and personal lives. The science fiction film explores themes of corporate control, work-life balance, and modern-day slavery.
▶“src=” https://www.youtube.com/embed/xEQP4VVuyrY?feature=oembed “Frameborder=”0 “allow=” acceleration; auto start; clipboard writing. gyroscope encoded media; Picture-in-Picture “allowfullscreen>
In the first season, Lumon focuses on the mysterious projects her employees are working on. Whenever Mark S. (Adam Scott) and his team at Macro-Data Optimization take their place in their windowless basement office, the more they wonder what their “outside” lives are like and what they’re doing for Lomon.
Security cameras inspired Lumon’s ‘surveillance ambiance’ in ‘Severance’
In an interview with Eagle, to cut Cinematographer Jessica Lee Gagné talks about bringing the “ultra-wide-angle aesthetic driven by the security camera” into the Apple TV+ series. “We wanted them to feel like they were being watched,” Ghani said.
To achieve this, they used remote camera heads “so the movements didn’t feel human.” The same atmosphere appears even in scenes outside Lumon’s offices. “There is definitely a watchful atmosphere outside [but] She added that it’s more than just old school, like the spy thriller in the 1970s.
Gagné explained more about how they achieve this feeling through cinematography:
“When you use a wide lens inside the office versus a long lens outside the office and you take a close-up, you change your human perspective [regarding] this person. When you’re wide, the camera is closer. So it will emphasize that energy, that closeness, that paranoia because you are physically with them. The longer the lens, the more voyeuristic you are. The more distance you have, the less you will be physically and emotionally involved with a system or situation.”
Lumon Office Total Data Cleaner Costs $100,000 for ‘Severance’
to cut Following Mark S. and his team in improving the aggregate data: Helly R. (Britt Lower), Irving (John Turturro), and Dylan (Zach Cherry). Their office consists of crisp white walls, a vibrant green carpet, and four closets with adjustable partitions. Gagné says the set is “very attractive” due to how easy it is to photograph.
“You can drop the camera anywhere and you’ll get a shot,” Gagné said. “The green on the rug helped create the contrast, which would create the look—its awkwardness, the shapes.”

to cut Props expert Cat Miler has made shooting easier with the MDR Desk, a $100,000 creation. “That’s how much it cost to build it,” Ghani explained. “It stands on one foot, only one strut in the middle. And all those spacers are on reels. Our product is called the Diamond Desk.”
Season 2 of ‘Severance’ has been confirmed but no release date has been set yet
Before the end of season 1 of to cutApple confirmed a second season. “We’re excited to delve into this totally unique world and unleash even more layers of Lumon in season two,” said Matt Chernes, Apple TV+ head of programming.
release date to cut A second season was not announced upon publication, but showrunner Ben Stiller told Rolling Stone that he hopes to have a second season in production by the end of 2022. This means fans likely won’t be watching new episodes of the series. to cut Until sometime in 2023.
Watch season 1 of to cut on Apple TV +.
RELATED: ‘Ted Lasso’: Brett Goldstein calls Roy Kent a ‘cauldron of passion’, which explains his crunchy voice